Tag Archives: Ancient
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Light in the Shadows

20 Jan

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Behind Tomb Connected to Alexander the Great, Intrigue Worthy of “Game of Thrones”

12 Dec

“Behind Tomb Connected to Alexander the Great, Intrigue Worthy of “Game of Thrones”

by Heather Pringle via “National Geographic

Detail of Alexander the Great from a mosaic.

Suspense is rising as archaeologists sift for clues to the identity of the person buried with pomp and circumstance in the mysterious Amphipolis tomb in what is now northern Greece. The research team thinks the tomb was built for someone very close to Alexander the Great—his mother, Olympias; one of his wives, Roxane; one of his favorite generals; or possibly his childhood friend and lover, Hephaestion.

Over the past three months, archaeologist Katerina Peristeri and her team have made a series of tantalizing discoveries in the tomb, from columns sculpted masterfully in the shapes of young womento a mosaic floor depicting the abduction of the Greek goddess Persephone. The tomb’s costly artwork all dates to the tumultuous time around the death of Alexander the Great, and points to the presence of an important person.

Alexander himself was almost certainly buried in Egypt. But the final resting places—and the rich historical and genetic data they may contain—of many of his family members are unknown. The excavation at Amphipolis is bound to add a new chapter to the history of Alexander the Great and his family, a dynasty as steeped in intrigue, conspiracy, and bloodshed as the fictional Lannisters in the popular television series Game of Thrones. Among Alexander’s family, “the king or ruler who ended up dying in his bed was rare,” says Philip Freeman, a biographer of Alexander the Great and a classical historian at Luther College in Decorah, Iowa.

Palace Intrigues

To understand these palace intrigues, one must begin with Alexander’s father, Philip II, who ascended the throne of ancient Macedonia in 359 B.C. At the time, Macedonia was a modest mountain realm north of ancient Greece, but Philip had big dreams. He transformed Macedonia’s army from a band of ragtag fighters into a disciplined military machine, and he armed it with a deadly new weapon, thesarissa, a long lance designed to keep enemy troops from closing in on his phalanxes.

Map of Greece and surrounding countries, showing the town (Amfípoli) where the tomb is located

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A natural-born conqueror, Philip led his army to the west, crushing and intimidating the major Greek city-states until all had surrendered to his rule. “Philip II was a traditional warrior king,” says Ian Worthington, author of By the Spear: Philip II, Alexander the Great, and the Rise and Fall of the Macedonian Empire. “He was always in the thick of battle.”

By custom, Macedonia’s kings married multiple wives, often for the purposes of sealing political alliances with powerful neighbors. Alexander’s mother, Olympias, was a daughter of the king of Molossia, a realm that encompassed part of modern Albania, and she claimed descent from the legendary Greek hero, Achilles. She was one of Philip’s many wives, and according to ancient historians, she schemed relentlessly at court to put her son on the Macedonian throne. Some historians even suspect that she poisoned Alexander’s older half-brother, impairing his mental faculties.

For a time, her intrigues seemed to succeed. Philip groomed the young Alexander as his heir, providing the boy with a first-class education from a renowned tutor, Aristotle, and encouraging his prowess as a warrior.

But important Macedonian nobles at Philip’s court viewed Alexander as half foreign and possibly illegitimate. By the time Alexander reached his late teens, Philip seemed to share these doubts. He took a new Macedonian wife, and during a drinking party, Philip allowed Alexander’s legitimacy to be publicly questioned. Then Philip drew his own sword on Alexander, a mortal insult.

Photo of the two sphinxes found at the tomb.

Two guardian sphinxes sit on a marble lintel at the entrance to the tomb at Amphipolis.
PHOTOGRAPH BY THE GREEK CULTURE MINISTRY, EPA

Philip later tried to patch things up, but he had created a dangerous enemy. Exactly what happened next is the subject of debate, although the bare facts are well known. In 336 B.C., Philip threw a lavish public wedding for one of his daughters and invited members of neighboring royal houses to attend this state occasion.

As part of the festivities, Philip planned to stage public games at daybreak in the theater at Aigai, his capital city. He strode into the stadium, wearing a white cloak over his shoulders. On one side was Alexander; on the other was his new son-in-law. Philip waved away his bodyguards, and as he stood at the center of the theater, the large crowd began to roar with approval.

“That was the last thing he ever heard,” says Worthington. An assassin stepped out from the crowd and stabbed Philip to death as the guests watched in disbelief. In the ensuing bedlam, the murderer, a man named Pausanias, bolted from the theater toward a spot where horses were tethered and waiting for him. But just as Pausanias was about to escape, he tripped and fell, and three of Philip’s bodyguards speared him to death.

Conspiracy Theory

Did Pausanias act alone? Some ancient texts suggest that he did, assassinating Philip in a jealous rage. Many of the ancient Macedonian nobles were bisexual, and Philip was no exception. He had taken Pausanias as his lover, and when he tired of him, he discarded the young man and even allowed others to sexually abuse Pausanias. So Pausanias may have murdered Philip in an act of revenge. . . .”

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Greece Outraged by British Museum Sculpture Loan

10 Dec

Learn more about the Elgin Marble’s background in my article here. . . **DB

“Greece Outraged by British Museum Sculpture Loan”

by Danika Kirka via “Yahoo News

LONDON (AP) — One of the British Museum’s much-disputed Parthenon Marbles was unveiled Friday after being sent in secret to Russia — a surprise move that outraged Greece, which has long demanded the return of the artifacts.

The loan of the piece, an elegant depiction of the Greek river god Ilissos, was the first time in two centuries that any of the contested sculptures has left Britain — and raised questions of timing amid growing tension between Russia and the West over Ukraine and other disputes.

Greece reacted with fury.

“Greeks identify with our history and culture! Which cannot be sliced up, loaned or given away!” Greek Prime Minister Antonis Samaras fumed in a sharply worded statement punctuated with exclamation points. He described the British Museum’s move as a provocation.

The museum announced the loan only after the sculpture — a headless Ilissos reclining amid exquisitely carved drapery evoking river water — had been spirited to Russia’s Hermitage Museum in St. Petersburg. It will be on display Saturday through Jan. 18 as part of a major exhibition to celebrate the 250th anniversary of the museum, Russia’s most renowned.

The sculptures are at the heart of one of the world’s most famous cultural heritage disputes. The marbles graced the Parthenon temple on the Acropolis for more than 2,000 years, until they were removed at the beginning of the 19th century by Scottish nobleman Thomas Bruce, the 7th Earl of Elgin, when it was fashionable for the aristocracy to collect ancient art.

Greece contends they were looted illegally while the country was under Turkish occupation. The British Museum has long rejected their return, arguing that the pieces, sometimes known as the Elgin Marbles, can be seen in London by a global audience, free of charge.

In announcing the loan, the museum’s trustees described the sculpture as a “stone ambassador of the Greek golden age,” whose loan should continue despite the tensions between Britain and Russia.

“It is precisely because relations between the countries are difficult that this kind of loan is so important,” British Museum director Neil MacGregor told the BBC. “As we know, relations between Britain and Russia have been bumpy over the last couple of years. But the Hermitage has lent very generously.”

MacGregor added that he hoped the Greek government would be “delighted.”

“I hope that they’ll be very pleased that a huge new public can engage with the great achievements of ancient Greece. People who will never be able to come to Athens or to London will now here in Russia understand something of the great achievements of Greek civilization.”

The trip to the Hermitage marks the first time any of the sculptures have left the museum since being presented to its trustees by Parliament in 1816, with the exception of their evacuation for safekeeping in wartime. . . .”

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Japanese Legends: Story of the Stonecutter

30 Apr

Japanese Legends:

The Stonecutter

bigstock-Stone-Sculptor-21145889

Once upon a time there lived a stonecutter, who went every day to a great rock in the side of a big mountain and cut out slabs for gravestones or for houses. He understood very well the kinds of stones wanted for the different purposes, and as he was a careful workman he had plenty of customers. For a long time he was quite happy and contented, and asked for nothing better than what he had.

Now in the mountain dwelt a spirit which now and then appeared to men, and helped them in many ways to become rich and prosperous. The stonecutter, however, had never seen this spirit, and only shook his head, with an unbelieving air, when anyone spoke of it. But a time was coming when he learned to change his opinion.

One day the stonecutter carried a gravestone to the house of a rich man, and saw there all sorts of beautiful things, of which he had never even dreamed. Suddenly his daily work seemed to grow harder and heavier, and he said to himself: “Oh, if only I were a rich man, and could sleep in a bed with silken curtains and golden tassels, how happy I should be!” Continue reading

Art I Love – Light, Shadow, and War

8 Apr

Light, Shadow, and War by NatMonney

Art I Love – “Golden Age Grunge Map”

25 Mar

“Golden Grunge Age Map” by Somadjinn

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